You got dreams of the lights, but trust me… it’s nothing like you would imagine.
We are under siege. Our lives, our very existence is always at risk. Know this. Or, face extinction.
“Dear God, thank you for the salty pig meat we are about to eat, along with the rest of the indigestible swill. And thank you for our new charade of our family. My father ran away when I was only six. If I’d have known any better, I would have joined him. And, also… because she’s been trying to get back into this house ever since she lost it, Lord, a big thank you for blinding the asshole that’s doing my mother, so that he can’t see what everybody knows. She doesn’t really love him.
Amen.”
do you ever get mad because there’s so much wasted potential in characters and relationships and plotlines in some shows
You’ve been on all three seasons. Is getting to do something different a big pull?
Lily Rabe: That, and Ryan. It’s a massively appealing thing; a television show. You have a steady job for five or six months and you have this feeling of family. And yet you get this incredible luxury of playing someone new every year. So in that way it’s more like doing a film because you start each season with a beginning, a middle and an end. That definitely keeps me coming back. And I love working for Ryan. He writes such great characters, especially for women. [x]
“I am a Millennial. Generation Y. Born between the birth of AIDS and 9/11, give or take. They call us “the Global Generation”. We are known for our entitlement and narcissism. Some say it’s because we’re the first generation where every kid gets a trophy just for showing up. Others think it’s because social media allows us to post every time we fart or have a sandwich for all the world to see. But it seems that our one defining trait is a numbness to the world, an indifference to suffering”
- Madison Montgomery, American Horror Story
